<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Anakha on Gromet's Plaza Archive</title><link>/authors/anakha/</link><description>Recent content in Anakha on Gromet's Plaza Archive</description><generator>Hugo</generator><language>en-us</language><atom:link href="/authors/anakha/index.xml" rel="self" type="application/rss+xml"/><item><title>Binding Agreement</title><link>/stories/1/01/01/binding-agreement/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>/stories/1/01/01/binding-agreement/</guid><description>&lt;p&gt;Binding Agreement by Anakha&lt;/p&gt;
&lt;p&gt;Bonda O&amp;rsquo;Tightly loved her job as the administrative
assistant at Eric Ensign&amp;rsquo;s Erotiscapes, an avant garde art studio that
featured multimedia fetish and bondage works by the leading artists, sculptors
and photographers of New York&amp;rsquo;s famed Greenwich Village. After all, where
could a self-confessed submissive like her get to choose what goes on public
display in a sprawling gallery like Mr. Ensign&amp;rsquo;s? Then there was the boss
himself: A bondage freak and woman tamer who had made a worldwide name
for himself with his living Fettered Femme displays, which featured self-indentured
submissive&amp;rsquo;s for sale to the highest bidder.&lt;/p&gt;</description></item></channel></rss>